things I will not miss about living in Addis

There are of course some things that I will not miss about living in Addis:

  • washing all our clothes by hand
  • the lack of reliable electricity
  • bleaching all our fruit and vegetables
  • the taste of the drinking water
  • the smog
  • so many potholes in the road
  • the smell of fruit street
  • the breakfast cereals we have here
  • the smell of open drains
  • whatever insect it is that bites us while in bed
  • not being able to drink tap water
  • seeing real poverty and not knowing what to do about it

left-handed book reader reviews

Recently I received the following comment from RM of England about my book The Left-Handed Embroiderer’s Companion:

Hello Yvette, Just thought I’d let you know I found your LH Companion at the London Bead Company and bought it. Its wonderful and just looking at the instructions I could follow them straight away. Unless you are left-handed its difficult to explain to folk just how hard it can be to have to constantly turn everything round in your mind, for someone who is bordering dyslexic its a nightmare.

And from YD in Queensland, also about The Left-Handed Embroiderer’s Companion:

My copy arrived yesterday. Am so thrilled to have pictures that show the needle pointing to the right (and not the left). The illustrations demonstrating finger positions etc. will be most helpful. Thank you.

Went to a QCWA meeting today. Couldn’t resist taking my new book along to show the ladies – although there are no other left handed crafters among them, a couple said that they had friends who were left handed and had difficulty following instructions. Will pass on your mailing address in case they would like to order the book for themselves.

Thank you to RM and YD – I love hearing from you, and am glad that you are so pleased with The Left-Handed Embroiderer’s Companion.

If you are left-handed, or know someone who is left-handed, why not purchase your copy of The Left-Handed Embroiderer’s Companion today? Ask for it at your local needlework store, and if they don’t already have it, ask them to get it in for you! It might help them if you give the ISBN: 9780975767733.

You can also purchase it directly from Vetty Creations.

things I will miss

Following on from the things I am looking forward to when we go home, today I am listing the things I will miss here in Addis.

  • 1 birr buns – these are lovely fresh baguettes that cost only 1 birr each – just less than 10c Australian
  • the cinnamon here – it is so wonderfully strong smelling and absolutely delicious tasting
  • my new friends
  • the temperate weather
  • the cheap cost of living – half a kilo each of beans, carrots and tomatoes for about 90c Australian for the lot
  • the view of the hills surrounding Addis from our bedroom window
  • the friendliness of the people as you walk down the street
  • the cornerstore just 2 seconds away where things often cost less than elsewhere, and the fresh food is good quality
  • the kids having friends living downstairs and across the road, that they can play with at the drop of a hat
  • Ethiopian food
  • and maybe even the early morning call to prayer, because that’s how I know that dawn is approaching

Ethnological museum

On Saturday morning we went to the Ethnological Museum (also known as the Institute of Ethiopian Studies Museum) in the grounds of Addis Ababa University.

It was FASCINATING! This museum has a good write up in the Lonely Planet guide, but it was SO good!

The museum itself is housed in the magnificent palace that used to be Haile Selassie’s. When you enter, just past the gift shop (where there are nice souvenirs at reasonable prices) there is a large room with a temporary exhibition of Ethiopian basketweaving. Now, during our travels we have seen various examples of basketweaving here, but until we saw this exhibit, I had not fully appreciated how gorgeous the weaving can be, and how the best weavers are absolute masters of colour and pattern.

Then there is the permanent exhibition, which starts with an exploration of childhood, and moves through the ages and stages of the lifecycle, ending with death (and a small nod at afterlife!). It covered children’s toys, stories to teach children morals, marriage, children being born, adulthood, religion (there are three main religions: Ethiopian Orthodox Christianity, Islam and Judaism), clothing (including weaving and embroidery), coffee, honey, tools, war, death, and burial, amongst other things.

Unlike the National Museum (with Lucy) that we visited a week or two ago, all the exhibits were extremely well labelled, with lots to read and learn. I think this is what made it so particularly interesting – because we learnt more about the different people groups of Ethiopia, which are extremely diverse. It meant that we gained some understanding of what we were seeing, rather than just looking at objects.

Then we moved on to Haile Selassie’s apartments, and saw some beautiful examples of goldwork encrusted gowns. I have never really been all that interested in trying goldwork for myself, but keeping on seeing so many beautiful examples has made me think I just might give it a go when we get back home! (Though I must remind myself that as a beginner, my skills will NOT be able to produce the simply gorgeous work that was on these royal ceremonial robes!)

We saw the empress’s ensuite and bedroom, and the emperor’s ensuite and bathroom. Haile Selassie’s bathroom was bigger than our loungeroom at home. Though that’s not really saying much as our loungeroom is quite small! But his bathroom was expansive, and full of marble. How do you explain what a bidet is to a six-year-old, while out in public? I sufficed for “its part of the toileting process for some people.”

Out the front of the museum there is a most unusual “sculpture”, consisting of a concrete or stone (not sure which, though concrete seems more appropriate) stairs spiralling upwards. Each step represents a year of Italian Fascist rule over Ethiopia. Right on top is a lion, placed there by the Ethiopians once the Italians had been overthrown. “Smug” and “triumphant” would be good words to describe the feeling that must have accompanied its placement!

Afterwards we wandered down the street, to a bookshop that my librarian husband had been wanting to visit. On the way, a young Ethiopian man joined me and my daughter as we walked and asked us what we thought of his country. I said that we loved it. He also asked how we saw it. I replied that I saw it as a country full of lovely people who are extremely friendly and welcoming. And I do see it that way. We have felt very welcome here.

Further down the street an older man proclaimed at us as we passed “Enjoy our country, while you can!”. While he was being friendly, I did think there was an undertone of doom that made me wonder if he knew something that I didn’t. However, I replied happily to him “We ARE enjoying your country!”

The bookshop was a complete disappointment, so on we went home. If ever in Addis, and you get the chance to visit the Ethnological Museum, do, as it is so very interesting.

things I'm looking forward to

We have only about 2 more weeks here in Addis before we go home. One of our daughters is really missing home, and the other one loves it here so much that she wants to stay.

However, there are things that we are missing about home. What I am looking forward to (in no particular order):

  • my normal breakfast muesli
  • my bed
  • the rest of my clothes
  • my bedside clock radio with alarm
  • seeing my family and friends
  • reliable electricity and internet
  • chicken
  • getting stuck into writing my next book
  • our bathroom
  • ABC local radio, particularly “The Conversation Hour” with Richard Fydler
  • embroidery supplies
  • our washing machine – I am heartily sick of washing by hand
  • and probably more that I can’t think of right at this moment

how to thread a needle with a piece of paper

Sometimes you just can’t seem to get that thread through the eye of the needle, and you don’t have a needle theader handy. That’s ok, if you have some paper, you’ll be right!

To thread a needle with paper, cut a very narrow strip, about 5cm/2 inches long. It needs to be narrow enough to fit through the eye of the needle. Then fold the paper in half, insert the end of the thread into the little paper “pocket” so that the thread end sits inside, towards the fold.

Hold the folded paper (with thread inside), and feed the folded edge through the eye. It gives a “sharp” edge to thread through the eye, taking the thread with it.

eri silkworms

If you enjoyed my posts on Sabahar, the silk growing/spinning/weaving business here in Addis, you might enjoy learning a little more about the lifecycle of the eri silkworm at Wormspit. I certainly did!

The earlier posts were: silk photos, Sabahar again, and Addis textiles.

Thread twist and its effect on various embroidery stitches

The other day I received an interesting question in one of the comments on bullion stitch: thread twist and wrapping direction. It was from Michael of the delightfully named http://www.wormspit.com. He wrote:

I’ve been working with silk and making various kinds of thread for different purposes. So far, most of my threads have been first-twisted Z and then plied S, or twisted as a very loose Z-twist single. Are there particular techniques other than bouillon where you think thread-ply makes a significant difference?

What a wonderfully technical question. My first thought was “I dunno!”, but on further consideration, I realised that yes, there were other instances where thread twist has an effect on embroidery stitches.

The most obvious stitch is the French knot, because it is so similar to bullion knots. Using a thread of the opposite twist, yet the same wrapping direction, would make a difference to the appearance of the knot.

The other main stitch that I can think of is any sort of couching stitch where the tie-down stitch is long and slanted across the laid stitch. This could include Roumanian couching, New England laid stitch, Bokhara couching and Indian filling.

With these stitches, a thread or stitch is laid along the fabric, then a shorter stitch is worked across the laid stitch, on an angle, to hold it down. Depending on which way you work the angled stitch, it will either meld into the laid stitch, or be pronounced across the top of it. Conversely, by keeping the stitch angle the same, but by using the opposite twist of thread, you can create the same difference of effect – the stitch will either meld into the laid stitch, or be pronounced across the top of it.

Another stitch where thread twist will make a difference is stem stitch/outline stitch. These are both linear stitches, where each subsequent stitch overlaps with half of the previous ones. With stem stitch, when working from right to left, the needle emerges above the previous stitch. Outline stitch is basically the same stitch, but the needle emerges below the previous stitch.

With an S twist thread (as most threads are) stem stitch creates an effect where each stitch is pronounced and separate, much like the appearance of a 2 ply cord. With outline stitch, the stitches meld together. Changing to Z twist thread would mean that stem would give the melded appearance, and outline would give the cord-like appearance.

Yet another stitch where it could conceivably make a difference (oh, this is fun – thanks Michael!) is Jessica stitch, which is a needlepoint stitch. It basically is a wide stem/outline stitch worked usually around the edge of a circle to produce a swirl-like effect. Because of its similarity to stem stitch, changing the thread twist would have a similar effect.

While the effect would be minimal, unless using a very thick thread, it would also have an effect on the twisted, purl edge of buttonhole stitch. Also any whipped stitch, such as whipped buttonhole, whipped stem, whipped running stitch etc.

I’m sure there are others too, so please make your suggestions in the comments.

Michael, I hope that has answered your question. If it brings up more questions, please ask them. I think I like your questions, because they are so thought provoking!

Bullion stitch: to hoop or not to hoop?

Today’s look at bullion stitch is the third in the series. The first one was on tips for working better bullion stitch, the second was about thread twist and wrapping direction.

Today we will be looking at whether to use a hoop/frame or not. Some people say that you must never use a hoop or frame when working bullions. Others, like me, very much prefer to use them.

I think this is due to there being two majorly different ways of working bullions. One suits having a hoop, and the other does not.

The most common method uses the needle inserted in the fabric and the thread wrapping round the needle as shown.
Bullion stitch, most common method
With this method it is much easier to manipulate the thread and the needle without a hoop.

The method that I use (and teach in my classes and books) was taught to me by Effie Mitrofanis. It uses the needle and thread as shown.
Bullion stitch, less common method
This method is much easier with a hoop, as one hand is above, wrapping the thread, and the other is below holding the needle eye. The hoop gives you an extra hand, holding the fabric flat for you, so you don’t have to worry about it.

So, as you can see, there are definite reasons for using a hoop, or not using a hoop. It just depends which bullion stitch method you use.

bullion stitch: thread twist and wrapping direction

Okay, today we are going to look at one of the most controversial aspects of bullion stitch (what – you didn’t know there were controversial aspects?!).

Thread twist and wrapping direction are completely intertwined. (So sorry, didn’t mean for that to be a pun…)

Let’s look at thread twist first. There are two types of thread twist, known as S twist and Z twist. Most threads, such as perle cotton and stranded floss, are S twist. If you look at a piece of thread close up, you will see that the stripes on an S twist thread, due to the way the ply of the thread twist together, appear to go:
\
\
\
\
like the middle section of an s.

Rayon threads that are used for Brazilian embroidery and a few others, are usually Z twist. This means that looking close up, you will see the stripes on the thread look like this:
/
/
/
/
like the middle section of a z.

So why does this make any difference to a bullion?

When we wrap a bullion around a needle, we can either wrap clockwise or anticlockwise, and both will create a completely different result.

This is the controversial bit actually, because I maintain that you can wrap either way, whereas many people say that for S twist thread, you should only wrap clockwise.

Piffle, I say! Please indulge me and get out a needle and thread, and try each way I suggest here (and if you only have S twist thread, just do those ones, or vice versa if you only have Z twist thread) as it will help you to understand what I am talking about.

When you wrap clockwise with an S twist thread, the thread ply untwists and can flatten out like a ribbon, with each of the ply lying next to each other, making a wide wrap round the needle. When you do this, it means that the surface of the bullion looks very smooth, as you mostly see the fine individual strands of the thread ply, rather than the thread as a whole strand.

When you wrap anticlockwise with an S twist, the thread twists more, so that the resulting bullion shows very tightly wrapped threads. These type of bullions look somewhat bulkier and more substantial than the previous type, as the wraps are full thickness around the central core, as opposed to having only the full thickness of each ply of the thread around the central core.

With Z twist threads, you get completely the opposite effect, because the thread twists in the opposite direction. That means that with Z twist and anticlockwise, you’ll get the smooth finely wrapped looking bullion, and with clockwise wrapping you’ll get a fatter bullion with more distinct, tightly twisted wraps.

Some people find that one way is easier for them than others. That’s absolutely fine. If you find clockwise wrapping easier with an S twist thread, then do them that way. Use whichever method gives you a better result, or the appearance that you desire.

So, you can wrap both ways. It just gives a different effect. But just because you can, doesn’t mean you have to.

If you are new to bullions, try a few of each way – some clockwise, and some anticlockwise. Then work out which gives you a consistently better result, and use that method. If, however, you get good results with either, happily, you will be able to choose which appearance to use.

If you missed yesterday’s post, you missed the first in the series on tips for working better bullion stitch. You can find the post here.

If you find these tips helpful, please let me know, and share the blog post address with others. I do not give permission for these instructions to be reproduced elsewhere, but you are welcome to tell people where to find them. Thanks for respecting my copyright.

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