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Online classes aren’t a high priority for me

Yeppoon guild group

Because of the way the pandemic changed our lives, we all realised that maybe we didn’t all need to be in the one place at the one time to meet. And so, since then, the increase in requests for online classes has been huge. For you, it often boils down to $$$. You don’t want to or can’t pay to come to me, and you don’t want to or can’t pay for me to come to you. I can understand that.

For some, it’s about mobility. Maybe you can’t get to an in-person class because you work, or you’re minding the kids, or you’re caring for a sick spouse. Or maybe you have physical limitations which mean you can’t get there, such as your own ill health, or no transport. I do understand this.

And so, people regularly ask me to teach online classes. However, all the things above notwithstanding, there are so many reasons why this is not a high priority for me. Let me explain…

1. There is one of me.

I am primarily an author of needlework books. These books take time to write. If you want me to keep writing them, it’s best for me not to be distracted by teaching online classes.

2. Zoom classes have a number of problems for me to overcome.

An online class in the format where it is taught over zoom over a period of time, is difficult for me.

As a resident of a small country town, our internet services aren’t always great. If they’re bad on the day I’m teaching, and everything on screen is pixellated, you can’t learn. (This is why the one online course I have is all pre-recorded – you can watch the videos at your leisure and if the internet is bad that day, then there’s always tomorrow.)

Many of you are in very different time zones which don’t overlap well with my daytime, when I am most coherent and able to teach. And if I’m teaching in the middle of my night, that disrupts my household, which isn’t fair on them.

I am not the sort of person who likes to teach, say, 2 hours per week over a period of weeks. I prefer a workshop that goes over 2 days or 4 days etc. Get in, get it done, get on with the next thing. If you were all in my time zone, we could probably do that sort of online zoom class. But we’re not all in the same time zone, and part of the reason so many people want online classes is precisely because we are in different parts of the world.

3. Prerecorded video classes take time.

An online class in the prerecorded video format (like the one I have already done) takes a lot of time to create. I’m not really one who derives oodles of pleasure from making videos. Books are my thing. And so I’d prefer to devote time to that instead.

4. I like being with people.

I love the personal interaction of an in-person class. I just don’t believe you get the same lovely interaction through a video screen.

5. Classes are not my main business activity.

Most other needlework teachers who do online classes primarily teach classes. That’s their jam. Mine is writing books. That’s my higher priority. I can reach far more people through my books.

6. In the short term, online classes have a larger time commitment for me than in-person classes.

This probably seems counter-intuitive to you. However, an in-person class, or classes if at a conference, take between 3-10ish days to deliver, including travel time. That’s a much smaller chunk out of my personal and working life than an online class which either stretches over weeks to deliver or takes weeks to create/edit the videos.

7. Catching people unawares (in a good way!)

I like to wander around my classroom, catching people doing lovely work (to praise and encourage them) and catching them making mistakes (so that I can help them before they realise they’ve made one). As the teacher, if you sit up the front of the classroom waiting for students to come to you, you’ll get those who love to ask questions and get all the help they possibly can. You’ll also get those who’ve realised they’ve stuffed up somewhere and need help finding it and/or fixing it. But you won’t get those who don’t realise they’ve made a mistake. Catching people making mistakes before they realise they’ve made one is much, much harder in an online class because I can’t simply cast my eye around the room and see them.

8. Finding student mistakes is a big part of my job as a teacher.

As most of my classes are counted embroidery, finding mistakes and helping my students fix them is a HUGE part of a class for me. When you’re working with fine counts of fabric as we often do, and needing to put the stitches in precisely the right spot, that’s really hard for me to do over a zoom or through a photo. Let’s face it, many people are not good at taking photos of their work, especially close up photos. It’s incredibly easy for them to be blurry. If I can’t see, I can’t correct.

9. Cutwork has a level of difficulty other embroideries don’t have.

“Others teach exacting work online just fine.” Yes, I accept that is true. Many teachers teach fine needlepointing, silk shading, crewel work etc via online classes. If you get a stitch out of place in these forms of embroidery, it won’t look as good. If you get a stitch out of place in some of the forms of embroidery I teach, the whole piece could fall apart. The scale of those mistakes is a little bit different.

If you make a cutting mistake in an in-person class (hopefully I’ll catch it before you do!) I will demonstrate on your work, how to fix it. (The second time, you can do it!) If you make it at home in an online class, there isn’t that option. Many people find those sorts of mistakes absolutely overwhelming and the piece is liable to go in the bin/trash or in a drawer to be fixed another day (yet never see the light of day again).

I want my students to be successful. Sometimes that means holding their hand through a really difficult situation, and it is so much easier to do that in-person than through a screen.

10. It’s hard for me to gauge what sort of feedback you want/need, through a screen.

My classes are based around the student experience. I WANT you to be successful. I WANT you to have a great result. I WANT you to finish the piece and be oh, so proud of it. Being your cheerleader is a huge part of my role as a teacher. I want you to know when I think you’ve done a marvellous job of something. I want to be able to gently and quietly correct when you haven’t. Sometimes people only want praise. Sometimes people really want constructive criticism. Gauging which of those you need from me is so much easier when we’re in the same room together and I can see your body language and the way you conduct yourself in class.

You’re not just students; you’re people. And I want to acknowledge that in my dealings with you. It’s so much harder to build that rapport through a screen.

So what does that mean for you?

I understand that many of you are a long way away from me in rural NSW, Australia. It’s likely I’ll never have the opportunity to come to most of you, and most of you will likely never have the opportunity to come to me. I’m sorry about that. However, there is only one of me, and I have to live my life the way I want to and need to, and if that means I likely will never teach you (other than through a book – my books are quite good!) then that’s the way it is.

It all really boils down to this: People want books by me, in-person classes by me, and online classes by me. However, there is only one of me and my business is just me, and I can’t do everything.

I am open to feedback. If you can think of a way to solve any of these problems, I’m happy to hear from you. I don’t know everything, and I acknowledge that!

November 11th, 2024 | Category: Embroidery classes, teaching embroidery | 8 comments

Maybe you feel like this too?

Yvette teaching a workshop

When my classes didn’t run at the World Needlework Convention last year, I was absolutely humiliated that so many other classes did (some even sold out) yet mine didn’t.

I felt honoured that I/my classes were chosen to be in the program as I don’t feel like I have the credentials. I wasn’t trained at the Royal School of Needlework – I’m just a self-taught girl from Australia. I don’t do “popular” forms of embroidery – mine often looks intimidating and therefore fewer people choose do it.

At a Sydney craft show someone said, “I’m going to the World Needlework Convention, but I’m not doing one of your classes because I can do one with you any time.” As I already knew it was unlikely that I would be going, it felt like she was sticking the knife in and twisting it! I don’t teach a lot, and I’m of the opinion that if the opportunity presents itself for something you want to do, grab it with both hands because it may not be offered again!

I probably present as an amazing, capable woman who has written multiple books, taught domestically and internationally, while (for those of you who know me and my family personally) sharing in the raising of two delightful and admirable young women.

But inside, I feel like I don’t measure up. People say nice things but I don’t believe them. Instead I believe “you’re not good enough because people didn’t want to do your classes at the conference.” (It’s happened more than once. Again, humiliating.)

I’m working on changing the self-talk but it’s so hard when you have believed for so long that you’re not good enough.

I’ve learned that whenever one large guild surveys their members on who they’d like as a teacher, my name repeatedly comes up. Yet, they’ve never invited me. Old me says, “yeah, you’re not good enough.” New me acknowledges I have no idea of their reason for not inviting me. I can’t read their minds.

Others can say 20 million lovely things, yet it’s the one negative thing that we will hear. If you’re like me and you struggle with feeling like you don’t measure up, let me gently say, “try to believe the evidence otherwise” and I will try to do this too. It’s going to take some time for me to learn to believe it.

November 9th, 2024 | Category: teaching embroidery | 8 comments

Glimpses of new class proposals

glimpses of new class proposals

Glimpses of new class proposals…

Created for events way off in the future. Of course there are selection processes they must progress through.

Which class would you like to do?

November 8th, 2024 | Category: Embroidery classes, pattern darning, Portuguese embroidery, Punt 'e Nù, Sardinian Knotted Embroidery, Smøyg, teaching embroidery, whitework | 6 comments

Smoyg band sampler supplies packs

Smoyg band sampler

I have a very limited number of Smøyg Band Sampler supplies packs available. Any orders that come in after the supply is exhausted will be refunded, with apologies, and I will mark it unavailable on the website. It is unlikely I will restock these again, unless there is enough demand.

The supplies pack contains 36 count linen fabric, Fine d’Aubusson wools, Mora wools, Au Ver a Soie silks, DMC pearl cotton, needles, a teabag and a storage box. The instructions for this project are found in my book Smøyg: Pattern Darning from Norway.

The sampler was originally stitched on 34 count linen, but we no longer carry this fabric. 36 count linen will be included in the supplies packs instead. This means that the finished stitching size will be marginally smaller than the original. Across the width, it will be about 6mm / 1/4inch narrower. Down the length, it will be about 7cm / 2 3/4in shorter. The full sampler measures approximately 11 x 120cm / 4.5 x 47 inches.

To purchase the supplies pack go to https://www.vettycreations.com.au/smoyg.html#supplies

November 1st, 2024 | Category: pattern darning, Smøyg, Smøyg: Pattern Darning from Norway | Leave a comment

Searching for Christmas decoration patterns?

Hardanger Christmas ornament
Hardanger Christmas ornament
Whitework cube sampler
Whitework cube sampler
Red blackwork Christmas decorations
Red blackwork Christmas decorations

Blue blackwork Christmas decorations
Blue blackwork Christmas decorations
organza Hardanger ornament
Organza Hardanger ornament
Frisian Whitework Christmas decorations
Frisian whitework Christmas decorations

If you’re preparing for Christmas, making gifts, and getting ready to decorate your tree, you may be in search of some Christmas decorations. We have a range of hanging ornaments that can be made as Christmas decorations. All of these are available as hard copy patterns, and some are also available as kits.

Some are quite a quick stitch, and others take a little more time.

https://www.vettycreations.com.au/catalogue-patterns.html

We do not have these available as downloads.

October 26th, 2024 | Category: Frisian whitework, hardanger, making stuff, Portuguese embroidery, Punt 'e Nù, Sardinian Knotted Embroidery, whitework | Leave a comment

Sotema 160 Bisso linen

Vetty Creations now stocks Sotema’s scrumptious 160 Bisso linen fabric. This lightweight, gauzy, see-through fabric is perfect for pulled thread work and shadow embroidery.

Sotema 160 Bisso linen

Sotema 160 Bisso linen

It’s 53 count (53 threads per inch/21 threads per cm), and simply gorgeous!

Sotema 160 Bisso linen

I used this fabric for my Dresden-style pulled thread work masquerade mask, some years ago.

Dresden-style pulled thread work masquerade mask

I do have thoughts of working very fine Hardanger embroidery on it. I think the gauzy, light-weight nature of the fabric could be very interesting with Hardanger.

We have the fabric in a range of sizes. You can purchase this beautiful fabric from the Vetty Creations website. https://www.vettycreations.com.au/catalogue-fabric.html#Bisso

October 24th, 2024 | Category: hardanger, Introducing..., new products, whitework | Leave a comment

Health update

Hardanger Filling Stitches

Last November, I got sick. It felt a bit like Chronic Fatigue Syndrome (I’ve had it before) but also a bit different.

Doctors checked for many things and treated some. After many months I was well enough to regularly drive 1 1/4 hours to the closest Traditional Chinese Medicine practitioner for treatment. (Western medicine is not good at treating chronic fatigue, whereas Chinese medicine is.)

Nearly a year on, I do not have a diagnosis, but in my mind, it was burnout – a very physical manifestation. I was completely and utterly exhausted, and my body and mind told me in no uncertain terms to STOP.

Why did this happen? I thought I was doing a good job of managing my time. I was resting on weekends. But I was completely overworking during the week. I realised I wrote my book four times faster than my normal pace. No wonder I was exhausted!

Misguidedly, I had told my UK co-publisher that I should be able to write Hardanger Filling Stitches quickly. They put it in their schedule and released details to the world. You knew it was coming. And you were excited.

From then, the pressure did not let up. The release date moved several times because I wasn’t going to be done in time.

People complained that they’d ordered the book, and where was it? It was still being written! Any sooner and it would not have been the fabulous book you now have.

My strong sense of responsibility meant I didn’t want to let any of you down. So I ran myself into the ground getting the book done.

Self care is a lesson I’ll probably be learning for the rest of my life. I need to stop listening to all the people telling me what to do and asking me for things. I need to stop feeling guilty about resting and start putting my health first. I need to live my life the way I need to, for my health.

Every few years, I find myself reassessing my life and wondering if it’s time to do something else. What I do is valuable and brings many people great joy, but I need to be able to do it in my time and in my way.

I am not well yet. I am starting to wonder if I am now living my new normal. I am making future plans, but for now I’m continuing to take it slow, and hopefully continuing to heal.

October 21st, 2024 | Category: embroidery musings, hardanger, Hardanger Filling Stitches, writing books | 9 comments

Jardin de Fleurs samplers restocked

jardin de fleurs cushions with patterns

Some years ago, I was asked to teach an embroidery stitch sampler class. I didn’t want to design your stock-standard sampler, so this is what I created: the Jardin de Fleurs cushions. There are about 30 different stitches on this design, and extensive step-by-step instructions for all of them are included with the pattern.

As well as learning different stitches, I wanted my students to experience a range of different types of threads, so I used wool, linen, cotton pearl, stranded cotton, overdyed threads, and coton a broder. You can use the specified threads, or what you have in your stash. Both colourways are included in the pattern. I worked my cushions on a lovely natural coloured cotton/linen blend fabric, but you could also use linen or cotton fabric. The finished cushions measure 30 x 50cm or 12 x 20 inches.

There are a lot of stitches on this design, and I would say it is best suited to someone who already has some confidence with embroidery. A very ambitious beginner might be ok with it, especially if they have the support and encouragement of experienced stitchers to cheer them on.

I’ve restocked the Jardin de Fleurs cushion patterns today. You can find them on my website at https://www.vettycreations.com.au/jardindefleurs.html.

October 14th, 2024 | Category: designing, Embroidery classes, embroidery musings, embroidery stitches, teaching embroidery | 2 comments

Another Hardanger Filling Stitches sampler

Billy Portch HFS sampler
I’m delighted to have had another photo of a finished filling stitch sampler sent to me, this time by Billy Portch of NZ. Stitched in pearl cotton on richly coloured 32 count linen, it’s simply gorgeous!

Billy had this to say of it, “I usually hate doing samplers but enjoyed doing this one and had fun working on an untraditional colour!” She also said that it was about 6 weeks work.

Thanks so much for sharing it with me, Billy, and allowing me to share it here, also.

New Zealanders seem to be leading the charge with their finishes of this project from Hardanger Filling Stitches. I’m very impressed, because the book didn’t arrive in New Zealand until around March or April. Has anyone else finished and would like to share a photo of their sampler so that we can celebrate your achievement also?

October 9th, 2024 | Category: customer embroidery, hardanger, Hardanger Filling Stitches, whitework | 2 comments

The first HFS sampler finish – that I know of!

Hardanger filling stitches samplerThis morning I received a very exciting email from Catherine Rozendaal of NZ. She’s finished her sampler from Hardanger Filling Stitches and had this to say:

“Stitched with DMC 3823 on a pale yellow Cashel linen. Love love loved stitching this, and learning lots along the way. Amazing that there are so many different filling stitches and variations of them, and just how many you got into the sampler! The finishing is a reverse hemstitch border (so invisible from the front) with mitred corners.”

On learning that hers is the first finished one that I’ve seen, other than my own, she added:

“I’m very honoured to be the apparent first to the finish line on this one. I have to say that the sampler looks really intimidating – but that look is very deceiving! My advice to stitchers is to follow the instructions in the book and stitch the foundation first, and then to work through each band in turn. By the time a stitcher gets to the bottom their confidence will be right up there.

The whole experience of stitching the sampler was wonderful – so much so that I’m actually seriously contemplating stitching it again in a different colourway so that I can perfect my picots (the only element that I still haven’t mastered properly!).”

Catherine, thanks so much for sharing your finish with me! It is magnificent, and it is so exciting for me to see it finished.

How are you going with yours, if you’re stitching it? I’d love to see progress photos or photos of finished samplers! And if you haven’t started one and would like to, I can set you up with all the supplies and instructions you’ll need to make it.
https://www.vettycreations.com.au/hardanger-filling-stitches.html#supplies

September 30th, 2024 | Category: customer embroidery, hardanger, Hardanger Filling Stitches, whitework | 2 comments
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Yvette Stanton White Threads is the blog of Yvette Stanton, the author, designer, publisher behind Vetty Creations' quality needlework books and embroidery products.

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