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Ackworth School samplers

Inspirations magazine issue 65Just thought I might mention that I have an article on Quaker samplers from the Ackworth School in the latest edition (#65) of Inspirations Magazine. Not that I have seen the eventuating article yet… I asked them to send my copy to me in Sydney, not knowing at the time, how good or bad the mail service is here in Ethiopia. So I’ll get to see it when we get home.

I had so much fun researching this article. If I had all the time in the world, I’d make my own Mary Wigham sampler, but I’ll just have to suffice with enjoying other people’s Marys.

For those who’d like to see a bit more of this type of work, check out:
http://needleprint.blogspot.com/

And of course, I hope you enjoy the article in Inspirations!

February 17th, 2010 | Category: historical embroidery, Inspirations | One comment

contemporary whitework artist

This morning I happened to be able to access Blogspot blogs (access can be quite intermittent here in Ethiopia, which is why I moved my blog off Blogspot a few weeks ago), and found my way to the blog of Karen Ruane. Karen is a contemporary whitework embroidery artist, and I’m so glad I found her blog!

She uses mostly white threads on (it looks like) white dupion silk. There is a range of stitches and techniques. She uses highlights of colour, but its the texture and pattern of the white stitching on the white fabric that I love.

I found her work incredibly inspiring, and its nice to know there’s someone else out there who is enamoured with white on white as much as I am!

Wonderful stuff, Karen – thank you!

February 16th, 2010 | Category: whitework | One comment

embroidery sneak peak

This is a sneak peak of my latest embroidery, being done on 38/40 count Portuguese linen.

drawn thread embroidery on Portuguese linen

Drawn thread embroidery on Portuguese linen


As you can probably see, it is whitework (white thread on white fabric).

The Portuguese linen is lovely to work on. When I first started working on it, it shed quite a lot of fibres, so I often ended up looking a little furry and fluffy at the end of a stitching session! I’m sure this will not happen forever, though.

The linen is lovely and heavy, and you can just feel the quality. The threads are strong and when you remove them for the drawn thread areas, they do not break as you pull them out.

(…unlike Zweigart linens, where the threads often break, and the linens themselves are way too open and flimsy for my liking. Does that mean I am becoming a linen snob?)

I am greatly enjoying the embroidery. I just need to remind myself to do it!

February 16th, 2010 | Category: making stuff, whitework | 4 comments

looking out our Addis back window

This is the view out our back window, overlooking our local neighbourhood here in Addis Ababa. You can see the difference between the multistorey buildings in the background, and the corrugated iron structures in the foreground, both of which are housing. At various times of the day, the air becomes filled with plumes of cooking-fire smoke, as people prepare their next meals. In the afternoon, the sun sets behind the far buildings, in the west.
the view from our back window
For those of you who are Australians (or Portuguese) you will probably recognise the eucalyptus/gum trees. They are everywhere throughout Ethiopia, probably because they are quick growing. It makes me feel very at home!

For those of you who have joined us recently, you may be wondering *where* I am and *why*?

We are currently in Addis Ababa, the capital city of Ethiopia, for a three month period. We’re about halfway through. We are here because my husband is volunteering at an international school, and our kids are attending that same school while we are here. The opportunity came up to do it, and we thought that it was too good to miss. We thought it would be an eye-opening and life-changing experience for all of us.

It has been. I have loved being here. Right from the very beginning, when the idea first arrived, we felt God nudging us towards it. So we decided to apply to go, went through the process, and here we are.

The whole exercise has been a faith-building exercise. We have seen God answer our prayers again and again, in so many ways.

I have loved seeing a new culture. Three months is long enough to really get a feel for a place, and short enough to be going home soon anyway if you really can’t manage it. But I am pretty sure that a big part of me will feel sorry to leave here.

As is my passion, I have particularly loved learning about the embroidery and textile heritage here. To see how cultural motifs are used within embroidery has been lovely. While the skill is not always of the highest standard, you can see that Ethiopians are very proud of their cultural heritage. Particularly in the rural areas, wearing traditional clothing is very much still a part of every day life.

I had planned to arrange to teach some embroidery lessons at the Fistula Hospital to some of the patients while here. For a number of reasons, that hasn’t happened yet, and I am not sure that it will. However, I still would very much like to visit the hospital to see both the embroidery work that they do there, and the amazing medical miracles of curing fistulae. (No, that does not mean that I want to see an operation…!)

Last night we asked the kids if they have enjoyed being here, for the length of time that we have been here (we have previously travelled with them, but the longest period has been 3 weeks). They have, and so have we. I would love to do this sort of thing again, either here, or elsewhere in the world. We’ll just have to see where God leads us…

February 15th, 2010 | Category: embroidery musings, teaching embroidery, travel | 3 comments

Merezhka book review

Ukrainian Drawn Thread Embroidery: Merezhka Poltavska by Yvette Stanton
I’ve just been noodling around on the web and accidentally found a lovely review of my book “Ukrainian Drawn Thread Embroidery: Merezhka Poltavska” on Amazon. Written by a lovely person named Sarah Danks from Springdale PA, it is extremely glowing.

Here’s some of the review:

…this is one of the best-illustrated books I’ve ever seen. All the stitches and all the designs are shown with both an illustration and a photo. I’ve never seen anyone do that before, but I have to say it’s very effective, and makes each stitch quite clear.

She discusses the contents of the book in detail, and finally ends with the following recommendation:

I am very pleased to have this book in my collection and would absolutely recommend it to anyone interested in Hardanger or other drawn or pulled work.

You can read the rest of the review here at Amazon. “Ukrainian Drawn Thread Embroidery: Merezhka Poltavska” is available direct from Vetty Creations and all good needlework stores. If they don’t have it, ask them to get it!

And Sarah, if you ever happen to read this, thank you, from the bottom of my heart!

February 14th, 2010 | Category: book reviews, merezhka, Ukrainian Drawn Thread Embroidery | 2 comments

silk photos

To go with today’s earlier post on Sabahar, here are a couple of photos.

eri silkworms on castor leaves

eri silkworms on castor leaves


To give you an idea of scale, these silkworms are as thick as my pointer finger. They are at the age where they are about to cocoon. Maybe when I go back later this week, they will have cocooned.
silk hanging on lines across the garden

Silk hanging on lines across the garden


The back line has woven fabric. The line across the front (with the bird) has washed cocoons, drying. The next stage for the cocoons is to be spun into yarn.

February 14th, 2010 | Category: travel | Leave a comment

Sabahar again

Yesterday being Saturday, we had a free day to do things. We decided to go back to Sabahar, as we really wanted to search for a particular gift. Though I had already been there, I wanted to share it with my family as well.

With yesterday being a sunny day, we did the washing in the morning and put it out in the sun to dry. Then we headed out of the compound to see if there was a taxi in the laneway that might be able to take us to Sabahar.

There was. But the driver wasn’t there. One of the fellows hanging round the gate said wait 3 minutes and he’d get the driver. Shortly afterwards, he came back with the driver, who seemed to have a strong likeness to him – brothers, I think. The first brother spoke English pretty well, and communicated to his brother where we wanted to go, and the fact that we wanted him to wait an hour for us, and then bring us back. We agreed on a price and hopped in.

We could see almost immediately that this was not a taxi of creature comforts. Most taxis here are a little beaten up, but this was by far the worst we had seen… He drove us out onto the main road, and then the car proceeded to stall.

And it did not start again.

The driver apologised profusely and said that we would have to find someone else to go with. No worries. The road we were on is very busy, and taxis go past all the time.

We crossed to the other side of the road, which was heading the direction we wanted to go, and waited to hail a taxi. A few went past, but they were already occupied. Then we saw our ex-driver coming down the road with some sort of container, perhaps off to find petrol (gas) or oil for his car. As he got near us, he hailed an oncoming taxi, and arranged with the driver (in Amharic) to take us where he hadn’t been able. We tipped him for his trouble.

So, into the new taxi we got, this one was much more plush and it seemed that it would have a better chance of taking us where we wanted to go.

The driver took us on what seemed a very circuitous route. Maybe he was avoiding traffic? We had to go to Mekanisa, which is pretty much on the other side of the city. Once we got to Mekanisa, we were relying on my memory to get us there, as there was no way that the driver would know where Sabahar was, and as I’ve explained before, no-one knows any street names etc. You just go by landmarks.

So eventually we saw something that I recognised from my previous journey there: Prime, which is a shop selling ham, bacon etc – rather a treat in Ethiopia. I now knew that we were getting close.

From studying the map, and going from my memory, I knew that we veered around towards the right. Eventually there would be a very lush, green area in front of us, which is some sort of foreign compound, and there we would turn right. We found the right road, and I was pleased to see that I still recognised the surroundings. We drove further up the road. I knew that at some point, it was off an even smaller road to the right.

But where…? The driver kept asking “further?” Yes. But I was becoming less sure. Then we saw the Salam Nurses College up ahead. Somewhere I had read that it was behind that! And sure enough, just after the college sign, there was a small sign saying “Sabahar” in both English and Amharic. The driver visibly relaxed (and so did I!!). He could now see that we were actually going somewhere that existed!

He dropped us off, and we knocked on the gate. Most properties have a large wall around them, with a wide car gate, and a smaller gate within that for people to go through. A guard opened the gate for us and in we went.

The grounds are delightful. Beautiful lush, green gardens, with fabric hanging to dry on ropes stretched across verdant spaces. There were also silk cocoons hanging, that had obviously been washed and left to dry.

We made our way down to the showroom, and began the delights of choosing our special gift. The girls found a basket of flowers made from dyed cocoons. They each chose one. We don’t know whether Australian customs and quarantine (which is extremely strict) will let them back in the country, but they can enjoy them here, at least. The sales girl also showed the girls some silkworms that they had sitting munching on some leaves. I asked if the leaves were mulberry leaves, but she said that they don’t have mulberry here; they were castor leaves.

After some time, Kathy, the owner of the business arrived, and I was able to arrange with her to go back one day this week to interview her for a magazine that I write for. I’m really looking forward to doing that.

I took some photos for the article, of some even fatter silkworms that they had downstairs, and some hanks of yarn that had been dyed and were drying in the sun.

We then called the taxi driver who came back and picked us up and took us back home on a much more direct route through the city, rather than south of it.

I was so pleased that the excursion worked out, and that I was able to remember where it was. I had spent some time the night before rewinding my memory to try to find out what the environs looked like, so that I would recognise it as we got closer. I was happy that I had paid enough attention the first time I went with Jacqui, even though we had been chatting as we drove.

In the afternoon I expanded my Addis cooking repertoire to include snickerdoodles (recipe here, but I only made a half quantity). They turned out very flat (we’ll blame that on the altitude – good excuse!) but very yummy. I think I’ll be making them again while here, as they are much less crumbly than the other recipe I had been using here. And we are all suckers for cinnamon in this family, so they are very popular!

February 14th, 2010 | Category: travel | Leave a comment

NeedleNews

NeedleNews is a newsletter that I have published for my customers and interested people, in the past. Because of my prolonged bouts of illness over the last few years, it has been a long time since I have done one. And for that I apologise.

I have decided that it is time to move on from NeedleNews, and to encourage all the subscribers to move across to reading this blog, White Threads, instead.

When I used to send out a newsletter, it was really only a one-way communication. You heard from me, but I didn’t hear from you. I like the fact that on this blog, you can respond to me, and I can hear what you are thinking too, which I love!

It also is much more immediate than a newsletter that comes out once every while. I update White Threads quite regularly, so there is more to read, and hopefully more of interest!

So I am hoping that a good number of my NeedleNews subscribers come across to join us here at White Threads.

The best way to do that is to susbcribe, using the little envelope motif near the top right of the page. By clicking on this, you can subcribe to White Threads and have each new post delivered to your email inbox, within 24 hours of its posting.

I also look forward to hearing your thoughts in the comments sections!

February 12th, 2010 | Category: Uncategorized | Leave a comment

adventures with bullion stitch

I am interested in hearing about the problems that people have with bullion stitch – if any!

What goes wrong for you? What bugs you about your bullions? Did you ever have an “a-ha!” moment where you solved something that you had been doing wrong?- what was it that you had been doing wrong, and how did you solve it?

Please let me know about your adventures with bullion stitch, as I’d love to hear about them!

February 10th, 2010 | Category: embroidery musings, embroidery stitches, hints and tips | 20 comments

more Mountmellick and silk

Following on from yesterday, Meri very kindly sent me the following link to a Brainerd and Armstrong publication which features Mountmellick embroidery in silk. (Just to be clear: Mountmellick embroidery in silk is NOT something I support!!)

http://www.archive.org/details/cu31924085658643
It starts at about p69, and onwards from there.

Curiously, this is not the publication I had in the back of my brain. I was remembering one with a name like “Cornelli”. A little internet searching brought up the name “Corticelli Home Needlework”, which later became “Home Needlework Magazine”.

From what I can tell, the January 1903 edition (and maybe others) of the magazine has some Mountmellick embroidery in it, but as I don’t have a copy, I can’t confirm this.

Anyway, in the Brainerd publication (marvellous name…!) the treatment of Mountmellick in coloured silk is about as bad as I would have expected. The embroidery plates are black and white, but it seems that had they not been, we would have seen those designs replete in glorious colour… Certainly the instructions say which coloured threads they are suggesting that the unsuspecting embroiderer should use. They do also say that you can use their plain white Mountmellick silk, but that doesn’t seem to be their preferred option.

What on earth made those people think that it should be done in coloured silk? Surely that means it is not Mountmellick embroidery anymore, considering that some of the defining characteristics of Mountmellick embroidery are that it is white embroidery using cotton thread?

Yes, yes, I know the answer: they wanted to cash in on the popularity of Mountmellick embroidery, at the same time as selling more of their (undoubtedly lovely) silk.

I have said it before, and will say it again:
While I love Mountmellick embroidery and I love working with silk, I keep those two loves separate.

Also, the designs themselves are NOT typical of Mountmellick embroidery, showing very stylised plant forms and ridiculously complicated scalloped edges. The designs were available stamped on white damask fabric, which is completely the wrong sort of fabric; it should have been white cotton satin jean. Wrong wrong wrong!

Right-eo, I will now step down off the soapbox once again. 🙂

JTG6GF37P85T

February 10th, 2010 | Category: book reviews, mountmellick embroidery, whitework | 6 comments
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Yvette Stanton White Threads is the blog of Yvette Stanton, the author, designer, publisher behind Vetty Creations' quality needlework books and embroidery products.

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