
Diana asked me: “[For Hardanger] when you pull the threads, do you do it on a ring, or frame, or flat surface, or just in hand? I was taught that it should be done on frame (or at the least a ring) and bit by bit, not all of them, filling section by section as they are out.”
I started answering her question, but then realised I might be answering the wrong question, so my answer starts with a clarification, and then I proceed to answer, trying to be as complete as possible:
When you say “pull the threads”, do you mean “remove the threads”?
To me, pulled threads are to do with pulled thread stitches, like cable stitch, eyelets, and channel stitch. I do them in hand, because I can get better tension and open up the holes more. They don’t destabilise the fabric. If anything, they make it more sturdy.
For openwork (cut work), I only do small sections at a time. Generally I do it in hand, but for my most recent book, “Hardanger Filling Stitches”, I found that some specialty filling stitches were best worked in a small hoop. Until cutwork is rewoven/wrapped, it is quite unstable, hence working only small areas at a time.
When I cut the threads I definitely do it in hand as I can better access the threads I need to cut, with the scissors. My experience is that having the fabric in a hoop or frame when cutting means that people get whiskers along the edges of their stitches, as they can’t get close enough.
When I remove the threads, it is still in hand. As long as you’re careful, pulling them out should not distort the fabric.
White Threads is the blog of Yvette Stanton, the author, designer, publisher behind Vetty Creations' quality needlework books and embroidery products.

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